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Chapter 02
The Audience
Multiple Choice Questions
1. The famous sculpture of Winged Victory from
Samothrace is used by the text
A. to demonstrate the transitory nature of art.
B. to demonstrate the immediacy of art.
C. to contrast the lasting nature of some art to that of others.
D. to illustrate ancient artists' conception of dramatic postures.
A. to demonstrate the transitory nature of art.
B. to demonstrate the immediacy of art.
C. to contrast the lasting nature of some art to that of others.
D. to illustrate ancient artists' conception of dramatic postures.
2. A contemporary trend in musical theatre is a genre
referred to as the ________, in which a story is written around already popular
rock music.
A. music review
B. top-40 musical
C. jukebox musical
D. vaudeville musical
A. music review
B. top-40 musical
C. jukebox musical
D. vaudeville musical
3. At the heart of the theatre experience is the
A. director-actor relationship.
B. actor-audience relationship.
C. audience-director relationship.
D. actor-author relationship.
A. director-actor relationship.
B. actor-audience relationship.
C. audience-director relationship.
D. actor-author relationship.
4. Which of the following best describes the way audiences
participate in theatrical performances?
A. physically
B. mentally
C. vicariously
D. physiologically
A. physically
B. mentally
C. vicariously
D. physiologically
5. The degree of separation between the object or an
event, which an artist creates and the audience observes, is called
A. aesthetic distance.
B. intellectual separation.
C. reinforcement.
D. alienation.
A. aesthetic distance.
B. intellectual separation.
C. reinforcement.
D. alienation.
6. The putting aside of all literal and practical
considerations in order to enter into the world of the drama is called
A. the willing suspension of disbelief.
B. aesthetic distance.
C. anti-censorship.
D. theatricality.
A. the willing suspension of disbelief.
B. aesthetic distance.
C. anti-censorship.
D. theatricality.
7. Because of the power of an audience's mental and
emotional participation in a theatrical event, those in authority may fear the
effect theatre can have. This fear sometimes results in
A. subsidy.
B. censorship.
C. aesthetic distance.
D. the outlawing of disbelief.
A. subsidy.
B. censorship.
C. aesthetic distance.
D. the outlawing of disbelief.
8. A main difference between a critic and a reviewer
is that a reviewer
A. is restricted by time and space.
B. has more historical knowledge.
C. does not usually make a personal judgment about the production.
D. All these answers are correct.
A. is restricted by time and space.
B. has more historical knowledge.
C. does not usually make a personal judgment about the production.
D. All these answers are correct.
9. __________ is the coordinator of all the elements
of the production and is responsible for the unifying vision of the
production.
A. Audience
B. Playwright
C. Director
D. Producer
A. Audience
B. Playwright
C. Director
D. Producer
10. Which of the following questions does NOT address
one of the main criteria by which a critic judges a production?
A. What is being attempted?
B. Have the intentions been achieved?
C. How will the review affect the production?
D. Was the attempt worthwhile?
A. What is being attempted?
B. Have the intentions been achieved?
C. How will the review affect the production?
D. Was the attempt worthwhile?
11. One characteristic of ________ is that each
performance is unique and occurs in the presence of an audience.
A. theatre
B. film
C. both theatre and film
A. theatre
B. film
C. both theatre and film
12. One characteristic of ________ is that the
entertainment can be edited.
A. theatre
B. film
C. both theatre and film
A. theatre
B. film
C. both theatre and film
13. Art forms that exist space and are created to last
over time.
A. spatial arts
B. temporal arts
C. both A and B
A. spatial arts
B. temporal arts
C. both A and B
14. Art forms that exist for only a specific period of
time.
A. spatial arts
B. temporal arts
C. both A and B
A. spatial arts
B. temporal arts
C. both A and B
15. Also called __________ this is the blueprint for a
production in which the playwright transforms the raw material—the incident,
the biographical event, the myth—into a drama, a sequence of events that
features characters speaking and interacting with one another.
A. screenplay
B. dialogue
C. script
A. screenplay
B. dialogue
C. script
16. Because of the availability of new technology such
as YouTube and personal websites, __________ represent a new source of theatre
criticism.
A. reviewers
B. bloggers
C. critics
A. reviewers
B. bloggers
C. critics
True / False Questions
17. Theatre employs such an in-depth collaborative
process that an audience is not essential to the completed production.
FALSE
FALSE
18. Dramaturg comes from a French word for
"dramatic advisor."
FALSE
FALSE
19. It is wise to always agree with a theatre critic
when deciding to purchase a ticket for a play or musical.
FALSE
FALSE
20. The audience's desire to believe in the reality of
what is happening onstage is called willing suspension of disbelief.
TRUE
TRUE
21. The size and type of theatre space affects
audience perception; therefore, this factor makes a big difference to both
actors and the audience.
TRUE
TRUE
22. If a reviewer dislikes a particular production, it
is probably best to avoid it.
FALSE
FALSE
23. The experienced theatre critic tends to look at a
particular theatrical event independent of other factors and attempts to avoid
putting theatre into a larger context.
FALSE
FALSE
Essay Questions
24. Explain the essential differences between the
literary and visual arts on the one hand and the performing arts on the other.
What do the various differences allow one art to do better than other arts?
What differences prevent an art form from doing certain things?
Answers will vary.
25. How might the presence of contemporary pop music
composers like Duncan Sheik (Spring Awakening) or Elton John (Aida/Billy
Elliot/The Lion King/Lestat) affect the audience dynamic in
contemporary musical theatre? Do you think this kind of contemporary music
dynamic has ever happened previously in theatrical history?
Answers will vary.
26. Describe the transitory nature of theatre and the
other performing arts and how they are different from literature and the visual
arts.
Answers will vary.
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